Susan Vaught’s disarming, delightful, devourable middle-grade debut features a trio of young people who are truly worth spending time with. Luckily, in FOOTER DAVIS
MIGHT BE PROBABLY IS CRAZY, we get a chance to know these wonderful characters intimately, as Susan lets us peek inside their journals. We get to read Footer’s school papers, complete with doodles, tangential thinking, and teacher commentary. We watch over her shoulder as she lists and crosses out information that’s key to her uncovering the truth about the fire. We keep track of Peavine’s detective journal, where he faithfully records all suspect interviews and makes his personal observations in the form of stage directions. We even get glimpses into Angel’s astronaut journal, when she puts her oar into the investigation.
Susan so deftly uses these devices to draw us ever deeper into the world of Bugtussle that it got us thinking: What other books do we love that make use of characters’ journals and notebooks as central elements of the stories?
From the nifty notebook of Penny Parker Klostermann:
I loved THE SKY IS EVERYWHERE by Jandy Nelson. The main character, Lennie, writes poems on scraps of paper, lollipop wrappers, to-go cups, etc. The poems are interwoven in the story to give readers a glimpse of Lennie’s emotional journey as she deals with the untimely death of her sister. The inclusion of the poetry is powerful and moving.
In EVIDENCE OF THINGS NOT SEEN by Lindsey Lane, main character, Tommy, disappears. We learn about Tommy from other characters that answer the sheriff’s questions and speculate about his disappearance. But Lane also includes excerpts from Tommy’s journal which add to the mystery of his disappearance.
From the dangerous diary of Mylisa Larsen:
One of my favorite uses of a notebook in a book is Vida’s (“My public calls me Velveeta.”) letters to Calvin in Bluefish. You’ll have a couple chapters of narration and then you’ll read one of Velveeta’s letters and getting to see what happens to Vida from the outside (narration) and the inside (the letters) is fascinating.
From the marvelous missives of Megan Morrison:
Right now, I’m rereading MONSTER, by Walter Dean Myers – a powerful book about a young, black male who is on trial for murder. The protagonist, Steve Harmon, deals with the surreality of his situation by setting down every word and action of the experience as if it’s happening in a film. The book flips between the courtroom scenes, which are formatted exactly like a screenplay, and Steve’s personal journal, scrawled in his messy handwriting. The journal is where Steve becomes vulnerable and emotional, processing the horror of his situation on a more personal level. The journal is where he deals with the fact that, after court is finished each day, he has to face the realities of jail, where he might well be stuck forever.
From the fabulous files of Maria Gianferrari:
One of the most ingenious ways I’ve seen visuals incorporated into a story, literally, is in Jennifer L. Holm’s Middle School is Worse Than Meatloaf: A Year Told Through Stuff. As the subtitle suggests, newspaper clippings, to-do lists, report cards, post-it notes, school assignments, even police blotters about garden gnomes and wheelchairs gone missing (thanks to Ginny’s older juvenile delinquent brother) are woven into the fabric of the story.
I also love the way Abigail, the protagonist in Nancy J. Cavanaugh’s Always, Abigail narrates the story through a variety of letters, both sent, and un-sent as well as her favorite to-do lists. Cavanaugh also does a similar thing to great effect in This Journal Belongs to Ratchet, where homeschooled Ratchet tells the story in journal form where she writes poems and completes her school assignments, making it an emotionally engaging and fast-paced read.
From the authorial archives of Laurie Ann Thompson:
Twelve-year-old Ellie McDougal, aka McDoodle, is a prisoner. Sentenced to a week-long camping trip with her aunt, uncle, and cousins, she is determined to hate every single minute of the experience. Thank goodness she at least has her sketch journal, in which she records all the excruciating details. Mosquito bites and trips to the Fred Moose Museum she can handle, but how will she keep her journal from falling into Er-ick the Enemy’s hands? And what will happen if-gasp-she actually starts having fun? Part graphic novel, part confessional journal, part wilderness survival guide, Ellie’s story is a treat for young campers, vacationers, or any kid looking for a great summer read.
And finally, from the lyrical letters of Tamara Ellis Smith:
I second Ellie McDoodle!
And we all second, third, and fourth FOOTER DAVIS!
Welcome, FOOTER, to the ranks of these unforgettable books.
Don’t forget, to enter the drawing for a free copy of FOOTER DAVIS
MIGHT BE PROBABLY IS CRAZY, please comment on any post this week!