Imagine yourself on a roller coaster—not some wimpy one with a few repetitive twists and turns, but an unpredictable, double-looped, eighty-mile-an-hour roller coaster. Having fun yet? Great!
Now . . . remove all safety devices. Lap belt, gone. Shoulder bars, gone. In fact, you don’t even have handles to hold on to.
I don’t know about you, but I wouldn’t like that ride.
I’m convinced that this is what my publishing experience would feel like without my agent. She keeps my head, arms, hands, feet, and legs inside the vehicle at all times. She does all she can to make the ride an enjoyable one. Sure, I might scream my lungs out sometimes and think I’ll never make it off this crazy ride alive, but in the end, I’ll jump out of the cart and race back to the end of the line to do it all over again.
But only because I feel like my agent will keep me from serious harm.
Yep, I’m a play it safe sort of girl. I love the thrill of a fast, bumpy ride, but I want to know that in the end, it will be all right. Having an agent is about even more than that though.
Through a series of fortunate and unusual events, I was able to get an offer for my debut novel without an agent. But I took the advice of several wise friends who told me I should try to acquire one anyway, and thank heaven I listened!
My agent not only negotiated better terms for my contract, but she was also able to explain what the contract terms even meant. I would’ve had no idea what I was signing without her. Boilerplate contracts don’t have to be predatory—though some of them are, so author beware—to make you regret the terms later. A good agent protects you from agreeing to unreasonable clauses. He or she will also work to make sure your terms are the very best they can be.
And even after my contract was agreed upon via email and phone calls, my agent went back through it word by word to ensure that everything that had been discussed was carried through. I could barely comprehend what the papers were saying to begin with, so I certainly wouldn’t have known if the contract had been amended correctly or not. I would’ve just signed it (because, OMG! I have a contract from a major publisher in my hands!!!).
Once the editing process began, I loved having my agent copied on the emails. I’ve been lucky because my editor shared my same vision for the novel, but I know—for sure—that my agent would have had my back if I had needed to fight for something in my novel that my editor and I strongly disagreed over. And if the novel would’ve been better my editor’s way, my agent would’ve been a second voice to guide me in my editor’s direction. And it would’ve been a lot easier for me to make a significant change.
Also, just weeks after turning in my revision based on editorial notes, my editor left for another house. I was heartbroken. I was afraid of being “orphaned.” But both my agent and my new editor made it an easy transition, preventing my novel from slipping through the cracks. I’ve been very well taken care of.
Had I not been . . . guess who would’ve made the important phone call to The Boss? Not me, that’s for sure, because I have a difficult time going after what I want. But my agent would’ve been all over that like ants on a watermelon.
It’s also a comfort to know that my agent is copied on all of my emails involving the sales and marketing side of publishing. For example, she watched over and participated in the creation of my cover and jacket copy. There was a lot of back and forth about both of these important steps, and she was there for all of it.
She’s also told me when it was time to ease off and trust my editor and publisher with particular tasks. She’s told me when I should feel comfortable asking for a bit more support. I trust her implicitly.
She also trusts me. She lets me make the final decisions. She recognizes that this is my career, and my dream, and my name going on the cover of my books. She’s my biggest cheerleader and champion.
Another thing I love is that she doesn’t push me to just “pump out books.” She recognizes that there are other important facets in my life that I often need to pay more attention to (my three kids, in particular). I’m also not the most productive author in the world because I’m an incredibly cautious writer. I need a story to truly feel right to me before I share it with anyone else. That’s just how I work. But my agent doesn’t see me as just another cash cow on her bestseller-producing ranch, and that allows me to give the best of myself, not just the most of myself (which hopefully won’t end up in the dairy section).
I know this sounds like the most shameless commercial ever for my agent Erin Murphy, because she really is the best agent on this entire planet, but last I heard, she isn’t taking on new clients for a while. My actual purpose for writing this is to give those of you who are questioning whether or not you should pursue an agent, a very strong nudge in that direction (check out the fabulous agents at EMLA first! All three of them are the best possible agents any writer could dream up. Now that’s a shameless commercial).
I used to think that having an agent was all about negotiating a deal—which just about any agent can manage—but I now understand that it’s much more about having someone by my side during the entire publishing process.
My best tip for seeking out an awesome agent of your own is to research them like crazy. Get to know their personalities through social media, check out the types of books they represent—do you like them too? And above all things, listen to how other authors talk about their agents. (By far the most common thing I hear published authors complain about is their agent’s lack of enthusiasm or interest in them. Emails aren’t answered, concerns aren’t addressed, and personalities clash.) Pay close attention when authors are raving about their agents in more private situations. Get the name of their agent and begin your research! There are a lot of great agents out there, and one of them surely has YOU on their wish list. Get to know them, and then submit when you feel you’ve found a good fit.
Then hold on tight and enjoy the ride!
(PS. In a future post, I’ll tell you why EDITORS are so important, and in particular, why MY editor is beyond amazing. How lucky can a debut author get, huh? I love my team!)
Amy Finnegan writes her own stories because she enjoys falling in love over and over again, and thinks everyone deserves a happy ending. She likes to travel the world—usually to locations where her favorite books take place—and owes her unquenchable thirst for reading to Jane Austen and J.K. Rowling. Her debut novel, NOT IN THE SCRIPT, came about after hearing several years of behind-the-scenes stories from her industry veteran brother. She’s also been lucky enough to visit dozens of film sets and sit in on major productions such as Parks and Recreation and Parenthood. You can follow Amy on Twitter @ajfinnegan, or Facebook (Amy Finnegan, Author).