Category Archives: Editor

THE ADVENTURES OF A GIRL CALLED BICYCLE is Launched!

It’s the release date for the incredibly engaging and moving story, THE ADVENTURES OF A GIRL CALLED BICYCLE by Christina Uss and the EMU’s Debut Group couldn’t be more excited! A novel about “a girl who loves her home in the Nearly Silent Monastery, but the pull of friendship leads her on a coast-to-coast cycling adventure, complete with hauntings, runaway stallions, lucky inventions, and a mysterious black-clad pursuer.”

Here is Elizabeth Acevedo‘s interview with the brilliant editor of BICYCLE, Margaret Ferguson.

Interview with Margaret Ferguson, Editor of THE ADVENTURES OF A GIRL CALLED BICYCLE

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What was it about Christina Uss’ THE ADVENTURES OF A GIRL CALLED BICYCLE that first got you interested in acquiring it and that made this book strike a chord for you?

Every once in awhile, an editor is lucky enough to have a manuscript come across their desk that seems unique and that’s how I felt about THE ADVENTURES OF A GIRL CALLED BICYCLE. I loved that it was about someone who is an introvert and that it captured that special relationship some children have with their bicycles and all the freedom that goes with being able to get on a bike and go somewhere by yourself.  And I loved the sense of community and that so many people care and watch out for Bicycle on her journey.

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Would you say you were a big cycling fan prior to acquiring this book?

I will admit that I have never been a fan of cycling–it is a very time consuming sport and my husband spends a lot of time on his bike when I think he should be doing other things–but after I read THE ADVENTURES OF A GIRL CALLED BICYCLE I came home and said, “I get it now.”

Who is you favorite character from the book and why are you drawn to them?

There are too many to pick from–but if I have to, it would be Griffin G. Griffin, the friendly ghost who haunts Bicycle’s bicycle for part of her journey. He is such a good friend–he sings when the pedaling gets tough, offers wisdom, and has her back. Those kinds of friends are hard to come by.

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A book that reads and fast as Bicycle’s bicycle, Clunk, this is a fresh take on  an adventurous twelve-year old looking to find her place in the world. As the Kirkus
starred review claims: “Readers will eagerly join Bicycle and “pedal headfirst” into this terrific adventure, which is chock-full of heart and humor.” Buy your copy here, or here, or here.

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Thank you, for that fabulous interview, Elizabeth! And now the celebration continues with Hayley Barrett and a Bookish Bike Ride.

A Bookish Bike Ride

The Emus are celebrating with Christina Uss! Her debut novel, THE ADVENTURES OF A GIRL CALLED BICYCLE, follows intrepid cyclist and friend-finder Bicycle as she pedals across the United States.

From the start of her ride in Washington, DC on trusty, rusty Clunk to when she dismounts The Fortune, her whiz-bang, Inspector Gadget-style bike, in San Francisco, Bicycle’s determination and resourcefulness pave the way to her success. She pushes ever onward, through prairies and over mountains, despite challenges and troubles. Along the way, she helps and is helped by others, including a ghost named Griffin, an herbivore named Cannibal, a chef by the name of Marie Petitchou, and a big-hearted pie-fryer called Jeremiah. Finally, Bicycle victoriously concludes her two-wheeled tour of the USA surrounded by new friends and reunited with those who loved her from the start.

I enjoy biking, but unlike Christina, I’m no adventure cyclist. Reading THE ADVENTURES OF A GIRL CALLED BICYCLE made me realize I’ve rarely pedaled more than a few miles. I wondered where I would go if I decided to try a longer ride. California was immediately out of the question. I needed a doable destination, someplace far but not too far, and because this ride was inspired by a book, someplace with a literary connection. The answer was easy:

Louisa May Alcott’s Orchard House!

For now, I’ll pedal there in my imagination. Let’s go!

Orchard House is two hour bike ride from home, but given my lack of experience, I’ll probably get there in three. I coast past my own childhood home, but I have to walk (and huff and puff) my bike up the steep Lowell Street hill. I remount and continue into Wilmington, Woburn, and Burlington. The roads are busy, but most drivers are courteous. I wave my thanks to those who slow down and give me space.

I spin through neighborhoods, past strip malls and industrial sites. After two hours, I’m in Lexington. The landscape gets greener here, with fewer houses, more conservation land, and almost no commercial areas. I have to hustle through Tophet Swamp to outrace the mosquitoes. (note to self: John was right. Remember bug spray next time!)

When I skirt the edge of the tree-hidden Air Force base, I know I’m in Concord. I pedal along the pretty country roads, listening to birdsong, and appreciating the shade offered by old, gnarled maples with soft, new leaves. I pause by the big farm near the Battle Road and admire their Highland cow’s sturdy calf. 

I go a little further, swing around the bend, and speed down the final stretch of Old Bedford Rd. At last, I reach the big brown house and dismount. I’m glad to see the parking lot across the street is full. A woman in a old-fashioned dress (Marmee?) greets a tour group at the front door. Kids on a field trip laugh and bump each other as they roll hoops on the lawn. I remember doing that with my friend Diane when we were kids.

I park my bike and take my lunch.  The gardens are in their summer glory. Bees zip around the swaying sunflowers and hollyhocks. I choose a spot beside Bronson Alcott’s church-like schoolhouse to enjoy my solo picnic. LITTLE WOMEN’s four March sisters loved to picnic, so I feel right at home. 

As I rest and eat my sandwich, I can almost hear one of Christina’s characters, Sister Wanda. She asks her usual question, “What have you learned from this?”

Here’s what I’d say:

Riding a bike is a great way to experience the world.

Know when to heed good advice about bug spray.

This land is beautiful from sea to shining sea and full of helpful, generous people, delicious food, sunflowers, and wonderful books like Christina Uss’s THE ADVENTURES OF A GIRL CALLED BICYCLE.

Lastly, cookies rule! Good thing I brought some. I’ll need them for the long ride home.

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Cookies, of course, are good both on and off the bike. You might want to go get some to munch on as you enjoy Anna Redding‘s interview of Christina herself!

Anna Redding’s Interview of Christina Uss

The Adventures of a Girl Called Bicycle launches today and I have to say I was charmed THROUGH and THROUGH by this amazing middle-grade novel. And you will be, too. It’s one of those stories, the world is so richly drawn, the characters so lovingly crafted… that they come to live with you forever. You just find yourself thinking about these characters, their lives, long after you have read the last line.

I am so thrilled to be able to have a conversation with author Christa Uss about her novel, The Adventures of a Girl Called Bicycle.

Anna–  I want to start with a couple of questions about craft. From the first sentence of The Adventures of a Girl Called Bicycle, I was swept away. Your world building and character development are so complete and rich, and yet effortlessly falls off the page. And into that, you’ve worked in marvelous pacing and tension. (Readers, I’m not kidding, wait until you open this book, better have a comfy seat!) I’m curious about your process. Was this book inside of you and developed that way? Was the conscious effort? Please, give us fellow writers some insight!

Christina –  This book literally began with its title. My husband was commenting on how I was doing a lot of freelance writing about bicycling while also reading all these books from my childhood when I wanted to relax, and he said, “Someday, you’re going to write a children’s book.” And I said, “Oh yeah? What will that book be?” And he replied, “It’ll be called The Adventures of a Girl Called Bicycle.” I leapt out of my chair and said, “YES. I AM going to write that book. Why is she called Bicycle? What adventures does she have? I think she rides her bike across the United States.” And I ran upstairs and the story started pouring out of me. (This was before I had my twins, so I could write on a whim instead of having to schedule and protect writing time like I do now.) I wrote nearly every day for weeks, and edited for months. It was so much fun to dive into this universe that was balanced somewhere between reality and the way I wish reality was and ask my characters What Happens Next? And they always had an answer for me.

Anna–  Authenticity is an important aspect of any writing and it’s clear that you have some experience cycling! Was it fun to bring your own experiences into the book? And how do you mine your own experience to inform your writing?

Christina –   It was THE BEST to bring in my own experiences riding a bike across the United States into the story. I felt completely confident that everything I was writing about cycling was as true as I could make it – the thrills, the exhaustion, the chasing dogs, and especially the unstoppable kindness of people towards a two-wheeled traveler who shows up on their doorsteps. I faithfully kept journals from the two times I rode across the country (first east-to-west, then north-to-south), plus during my years working as an adventure tour guide all over the U.S., and I frequently went back to those journal entries to make sure I was capturing what I’d really felt, heard, seen, smelled, and tasted on my own journeys. 

Anna–  Reading The Adventures of a Girl Called Bicycle, I felt constantly surprised which is a rare gift for readers…surprise. Thinking about that, part of the surprise is the sweetness between your cast of characters, and unlikely friendships. There is a real love that comes through the pages of this book and fills you up as you are reading, even though there is still tension, even though we are marching forward. How did you do that?! Where does that come from?

Christina –  Awww, I love that you said this. I certainly hope kids feel the sweetness. Traveling by bike endlessly renews my faith in humanity. I and many other long-distance cycling friends experience so much surprising generosity whenever we pedal into the unknown – people giving us sandwiches! fresh peaches! cookies! ice-cold lemonade in the desert! a place to sleep! a place to shower! letting us borrow a car to watch fireworks! giving us lifts to the emergency room!  – finding those connections time and time again never stops being magical.  I wanted to communicate to kids that when you meet people face-to-face, especially if you’re perched on the seat of a bike, their first instinct is to help you. 

Anna– And on riding! Bicycle’s packing list for her backpack shows us what’s most important to her, the must-have’s before a top-secret cross country journey. What would you put in your own pack?

Christina –  Oooooh. My favorite riding clothes made out of space-age fabric that keep me warm even when I’m wet, as many snacks as I could cram in including lots of Trader Joe’s crunchy peanut butter and a big ol’ spoon, a credit card, maps from the Adventure Cycling Association, a book of Rumi poetry, and a nice thick journal and a pen. And postcard stamps. I would not bring a phone – I’d stop at libraries and email home when I could!

Anna–  I think the idea of having the freedom to find your own destiny, your own identity, and your own friends is so powerful. Has there been a moment in your own cycling where you touched that, an experience, a chance meeting, a decision that really formed you?

Christina –   I moved away from my home when I was eleven due to my dad changing jobs. (I remember telling my parents I wasn’t going to move with them, I was going to live with my best friend and sleep on her family’s couch for the rest of my life instead. Somehow, that plan didn’t materialize.) When I went in to the first day at my new school, the teacher showed me a seat next to a nice-looking girl with very long hair and said, “Nancy, you be Christina’s friend, all right?” And Nancy did just that – she not only became my instant friend, she made sure all of her friends became my instant friends as well. We’re still friends to this day. Something about that convinced me that if you’re open to the possibility, friendships can happen anywhere, anytime, with anyone –  it it’s one of the beautiful mysteries of life.  

Readers, all I can say, is we all have some book shopping to do!

Enjoy!
Anna

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To close out our celebration, here’s Ann Braden with Curriculum Connections.

The Adventures of a Girl Called Bicycle: Curriculum Connections

Kirkus gave The Adventures of a Girl Called Bicycle a STARRED review and said: “Readers will eagerly join Bicycle and ‘pedal headfirst’ into this terrific adventure, which is chock-full of heart and humor.”

This will be a fabulous book to have on classroom shelves. Introverts especially will be able to connect with this AND imagine going on an amazing cross-country adventure. As we all know the imagination can be a wide open expanse in the middle grade years, and when we’re willing to tap into it as educators, the learning can be remarkable.

I still remember (in vivid detail) the project I did as a sixth grader for a unit on Canada. With three friends I got to plan our own cross-country trip across Canada’s provinces, determining where to stop and what to do there, driving distances, what to bring, etc. We kept a journal to document our (virtual) trip, and my memories are so strong it’s as though I actually went on the real trip.

Not only is The Adventures of a Girl Called Bicycle a fun story, but it could be a great tool to prompt students to plan out their own cross-country bike trip. Where would they go? How long would it take to get from one place to another? What would they have in their pack? It brings it math, geography, and the all-important investigation into a student’s priorities and passions.

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Here’s to The Adventures of a Girl Called Bicycle! And here’s where you can buy it: Indiebound (it’s on the 2018 Summer Kids Indie Next List!), Barnes and Noble, and Amazon!

Happy reading!

 

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Filed under Book Launch, Editor, Interviews, Launch, middle grade, Uncategorized, Updates on our Books!

Initiate Interview of Erica Sussman, Editor of THE COUNTDOWN CONSPIRACY

I’m delighted to introduce Editorial Director Erica Sussman of HarperCollins. She graciously agreed to be interviewed for Emu’s Debuts as we celebrate author Katie Slivensky’s debut middle grade novel, THE COUNTDOWN CONSPIRACY. 

To begin, Erica, can you explain what was it about THE COUNTDOWN CONSPIRACY manuscript that made you sit up and pay attention? When during your initial reading did you decide to acquire it for HarperCollins?

“I was drawn into the story from the very first page. Miranda is an incredibly sympathetic and relatable narrator, despite the fact that she’s in a pretty crazy situation! I was never a science buff, but Katie’s story is so accessible that I didn’t get confused by any of the technical aspects of the space travel—I was too busy trying to figure out what would happen next! And Katie’s manuscript also made me cry – in the best and most surprising way – which is a pretty tough feat! She’s crafted the most wonderful friendship between Miranda and Ruby, a robot that Miranda built. There’s a moment of such heartbreaking sacrifice in the book (I won’t tell you what happens, don’t worry!) that is handled so deftly – when I read it I knew I had to get Katie’s debut novel on my list.”

Confession: I haven’t read THE COUNTDOWN CONSPIRACY yet. If I asked you for a book recommendation, how would you persuade me to drop everything and read THE COUNTDOWN CONSPIRACY?

Here’s what I’d say: If you’ve ever felt out of your depth, if you’ve ever had to make new friends, if you’ve ever had to step up and be brave, if you’ve ever had to stand up for yourself or a friend, if you’ve ever longed for an out of this world adventure…PICK UP THIS BOOK.

I’ve had to face situations like those, but always right here on terra firma. This book’s readers, on the other hand, will encounter such relatable challenges as they thrillingly zoom through space. Much more fun and interesting.

What were your favorite books when you were a kid? Does THE COUNTDOWN CONSPIRACY have anything in common with them?

I had a bunch of favorites, but the one that stands out in relation to The Countdown Conspiracy is SpaceCamp, which now that I think about it may possibly have just been the novelization of the movie with Lea Thompson. It was about a group of teenagers accidentally sent up into space and I think I read it approximately a zillion times. There was a lot about Countdown Conspiracy that reminded me of it in the best ways: unlikely friendships, strong characters, a great sense of humor, fast-paced adventure, danger—and, thank goodness, a happy ending.

And with that, we are GO for launch. Editorial Director Sussman, in six seconds and six words, please commence the launch sequence for THE COUNTDOWN CONSPIRACY.

Six…BRAVE

Five…KIDS

Four…HAVE

Three…THE

Two…BEST

One…ADVENTURES

I couldn’t agree more! I can’t wait to blast off with Miranda and Ruby. Thank you, Erica, for all you do to bring exciting, uplifting books into the world. THE COUNTDOWN CONSPIRACY will surely encourage in its readers an enterprising spirit and a love of science and space.

You can purchase THE COUNTDOWN CONSPIRACY at your local bookstore or here:

Indiebound: http://www.indiebound.org/book/9780062462558
Amazon: https://www.amazon.com/Countdown-Conspiracy…/dp/0062462555
Barnes and Noble: https://www.barnesandnoble.com/…/the…/1124860410

To learn more about author and science educator Katie Slivensky, visit her website. https://www.katieslivensky.com

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About Hayley Barrett

I write for young people and live to make kids laugh. My picture book BABYMOON, illustrated by Juana Martinez-Neal, celebrates the birth of a new family and is coming in spring 2019 from Candlewick Press. WHAT MISS MITCHELL SAW, a narrative nonfiction picture book, is also coming in spring 2019 from Simon & Schuster/Beach Lane Books and will be illustrated by Diana Sudyka.

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Filed under Book Launch, Characters, Editor, Interviews, Launch, Middle Grade, Publishers and Editors, Uncategorized

Purposeful Patience

We each see the world through our own very particular lens and use our inclinations and experiences to help us make sense of life. Most people, I find, have distilled these influences into a sort of personal metaphor, something that can be held up for comparison  to everything else.

I have two such metaphors. I can make anything connect in a logical, natural way to either:

Horses    

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or Childbirth

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Today’s a childbirth kind of day.

When the idea for a book is…um… conceived by a writer, all things seems wonderfully possible. The future book is soft-focused, as if seen through a dusting of talcum powder and hope. It’s a maybe-baby. chinchilla

 

 

 

 

 

 

But unless the writer has the remarkable talent and good fortune to be an author-illustrator, a picture book cannot be born until it has complementary artwork made by someone else — an illustrator who will create a visual counterpart to the text and bring the whole into glorious being.

In other words, the writer’s adorable book-baby is going to have another parent.Bird gif

I think embracing this truth is one of the first steps to becoming a serious picture book writer. The sooner you understand that both the process and the end result are a shared enterprise, the better. No matter how much time you have put into crafting your (under 500 word) story, when it’s bought by a publisher, it’s only halfway finished.

Illustrations can take — I’m just going to say it — years. That can feel like a long time to wait. Breathless gif

It’s critical to remember that the chosen illustrator has only just begun to nurture the manuscript. To them, it’s still a maybe-baby and needs a lot of time and attention to come to full fruition.

Some things are worth the wait. Like babies. And picture books. As I wait for BABYMOON, I trust the process. Everyone who has taken an interest in my manuscript has its best prospects at heart. I will be purposefully patient. I will keep working. I will wait in talcum powder hope for a happy book-birthday. It will arrive when it’s ready, and I’ll be waiting with open arms.

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Enjoy the day!

Hayley


 

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I write for young people and live to make kids laugh. My debut picture book, BABYMOON, is coming from Candlewick Press. Come hang out with me on Twitter @hayleybwrites, Facebook, or in the meadow: http://hayleybarrettwrites.wordpress.com.

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Filed under Advice, Creativity, Discipline, Dreams Come True, Editor, Faith, Illustrators, Inspiration, Patience, Picture books, Publishers and Editors, Uncategorized, waiting, Writing and Life

Sidetracked by Track Changes

Like Katie, I also turned in my final manuscript to my editor recently. But unlike Katie’s novel, my picture book manuscript has far fewer words. Like, almost a couple of orders of magnitude fewer. Including the back matter, my book will have about one thousand words. (And that’s considered L-O-N-G for a picture book these days.) So editing it should be a piece of cake, right? There are only a limited number of times you can read a thousand fairly simple words, right?

Nope. No cake. No limit.

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Even though my editor had relatively few comments (yay!), revising the manuscript took a lot longer than I anticipated. It was also much more interesting than I expected. From the first round of edits to the (hopefully) last, we were having a dialogue through Track Changes. Our comment-bubble conversation led me down side roads, some I had already traveled, most I had not.

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Side roads? Oh, yeah!

 

 

 

 

 

 

 

THE NIAN MONSTER is a Chinese New Year story, a folktale retelling, a trickster tale, and a foodie story. It’s also set in Shanghai. One editorial comment, asking about whether the word “chef” would be used in China, took me down a historical path. I ended up writing a long-winded, horribly didactic, reply-comment-bubble about Shanghai’s history as an international port, the French Concession, and whatever other justification I could come up with. When my editor commented back, “Fascinating,” my inner geek did a little jig of joy. Or maybe just arched an eyebrow. (Note: I got to keep the word “chef.”)

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Addressing another comment sent me back to grammar school — Chinese vs. English grammar, that is. The comment was about using the word “the” in front of names of landmarks. We don’t say “the Times Square,” but is it appropriate to say “the People’s Square?” How do English-speakers in China refer to these places? I didn’t know how to respond to this. The little Chinese I know, I absorbed from listening to my parents and suffering through Sunday Chinese School. I knew when something sounded right in Chinese, but I could never explain why. It turns out that there is no equivalent of “the” in Chinese — it’s a language without a definite article. That answer allowed me to choose where to keep and where to delete the “the’s.”

the

Keep this one?

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Or this one?

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Or this one?

 

I did more research and thought harder about my story during the editing process than I had when writing it. None of the history or the grammar I learned will make it into the book. But I don’t regret any of it. More knowledge is never a waste, right? And I love that when I read the text, I see the fingerprints of my mentors, my critique partners, and now my editor. I hope that kids will come up with their own questions after reading the book. Or maybe even the same questions. I know they’re just dying to learn about the French Concession.

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I’ll have a cafe au lait, please!


Andrea Wang

Andrea Wang’s debut picture book, The Nian Monster, is a Chinese New Year folktale retelling set in modern-day Shanghai. The Nian Monster will be published by Albert Whitman & Co. in December 2016. She has also written seven nonfiction books for the educational market.

Andrea spent most of her first grade year reading under the teacher’s desk, barricaded by tall stacks of books. At home, she dragged books, chocolate chips, and the cat into her closet to read. Not much has changed since then, except now she reads and writes sitting in a comfy chair in a sunny room. With a lock on the door. Before embarking on the writer’s journey, Andrea was an environmental consultant, helping to clean up hazardous waste sites. She lives in a wooded suburb of Boston with her very understanding husband, two inspiring sons, and a plump dumpling of a rescue dog.

You can find Andrea online at http://www.andreaywang.com and on Twitter under @AndreaYWang.

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Filed under Editing and Revising, Editor, Picture books, Research, Uncategorized

Loving Your Literary Litter

Here’s the truth of it: The manuscript you first write may not be the exact same manuscript that convinces an agent to represent you. The “I-got-an-agent” manuscript may not be precisely the same manuscript that the two of you sell to a publisher. The “I-got-a-book-deal” manuscript will likely not be the manuscript that eventually ends up as a book on a proper shelf in a proper bookstore.

These manuscripts will be similar. Oh, yes. They will be similar.  Many of the words will be the same. The narrative structure might even be the same. Of course, the living, beating heart of the story that gave it a chance in the first place will be the same. But as the manuscript evolves, what initially seemed like one beautiful and stalwart dog…

Golden

becomes more like a litter of puppies. Where-to-get-a-golden-retriever-puppy

I hereby give you permission to love them all. You may love the brand-new one, all sweetly damp with its eyes sealed shut. You may love the one that snores while it sleeps with its tummy full of milk. It might not be the liveliest, but it sure is cute! You may love the one that’s starting to show some personality, that scampers around and nips just a little too hard with its razor-sharp puppy teeth. You may and you should love them all.

But unless you’re going to be some kind of puppy hoarder—which doesn’t serve you or your plentiful puppies—

puppy attack

You get to keep only one. That’s right. One.

You’re not going to make this choice by yourself. Others will be involved. The potential puppy’s vet. The potential puppy’s trainer. They will look at all the puppies in the litter, tumbling about and tearing the place up, and they will help you decide on one.

Wait. We’re not talking about a *real* puppy. We’re talking about YOUR BOOK. The others involved will be your trusty agent and editor.

Secret Agent

But back to puppies.

Bit by bit, the right puppy will emerge. It will distinguish itself from its littermates. It will mature, develop manners, learn not to jump on guests. Its essential sense of self will be cultivated, its strengths enhanced. It will be groomed until it shines like a shiny, shiny show dog.

Groomed

(Dog geek alert: I’m pretty sure this is an English Toy Spaniel. The muzzle looks too pushed-in for a Cavalier King Charles Spaniel. Feel free to weigh in.)

It will be ready to strut its stuff in front of the whole world and make you proud. Griffon

And your puppy-love will deepen into true love.Jenna Marbles

Remember, none of this happens by accident. Without long walks, lots of attention, some sleepless nights, and consistent discipline, your book-puppy will never become all it’s meant to be.

And it’s meant to be nothing less than a champion.

Best In Show

I look back fondly at my many versions of BABYMOON. They still have all their puppyish charm for me. The earliest is spare yet lyrical. Later ones are more developed, with complete sentences and a more varied rhythm. The final, more nuanced version is quite different from its siblings, and yet it bears a strong resemblance to all of them. I guess you could say it’s the pick of the litter.

Enjoy the day.

Hayley

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I write for young people and live to make kids laugh. My debut picture book, BABYMOON, is coming from Candlewick Press. Come hang out with me on Twitter @hayleybwrites, Facebook, or in the meadow: http://hayleybarrettwrites.wordpress.com

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Filed under Advice, Agents, Colleagues, craft~writing, Creativity, Discipline, Editing and Revising, Editor, Publishers and Editors, rhythms, Uncategorized, Writing, Writing and Life

Interview with ANOTHER KIND OF HURRICANE Editor Ann Kelly

I’m thrilled to help celebrate Tamara Ellis Smith’s middle grade debut ANOTHER KIND OF HURRICANE this week! For today’s post, I was so honored to interview the book’s editor, Ann Kelley of Schwartz and Wade (Random House). Here’s what she had to say about this incredible story.

Elaine Vickers: What was it about this book that made it one you had to acquire?

Ann Kelley: Oh, so many things! The fact that it’s about the emotional journey of two boys, which I just don’t see all that often in books. The beautiful, lyrical language; I found myself rereading sentences and paragraphs, and that’s rare when you’re first considering a manuscript. And when I got to the part where their journeys parallel, my heart started to race (and it did each time I read the book). And though is a stunningly-written literary novel, there’s also so much happening. It has an incredibly strong plot.

EV: I found myself lingering on beautiful lines more often than usual as I read. Do you have a favorite line from the book?

AK: I totally understand that. As I mentioned, there are so many beautiful lines. But I think my very favorites are, “He is from a mountain and I am from a hurricane” (which is quoted on the back of the book and is so perfect in its simplicity) and the final line, “They breathed in and out, a spiral of mountain and river and air, a spiral of dog and cat and bird, a spiral of boy and boy and a marble traveling between them.” Gorgeous, and still gives me chills.

EV: Zavion and Henry are both such good-hearted kids. What did you love most about each one?23395689

AK: There’s so much to adore about these two characters, but here’s what I love the most: the sweet way Zavion connects with little Osprey (Zavion and Osprey’s scene on the roof is one of my favorites, and has been since first reading) and Henry’s gift with animals (the animal characters in this book are amazing).

EV: I love the title of this book and the diversity of the characters–not only in their ethnicity, but in their backgrounds and families and the things they’ve endured. It definitely feels like a book that will appeal to a broad spectrum of readers, but who do you see as the perfect reader for this story?

AK: I agree. I think this will appeal of course to kids who have experienced loss; kids who enjoy friendship stories; fans of poignant, emotional novels; and so on. And kids who believe there’s a bit of magic that connects us and our experiences in this world.

EV: If I were to compare Another Kind of Hurricane with other middle grade books I’ve read, I might mention TROUBLE by Gary D. Schmidt or EACH LITTLE BIRD THAT SINGS by Deborah Wiles. (Both of which I love!) What titles would you consider good comparisons?

AK; I always struggled to come up with comparisons for this book, but thank you for those– I’ll have to remember them. I have to say, I like that I struggle to compare ANOTHER KIND OF HURRICANE to other middle grade books. While I can name other great titles that deal with Hurricane Katrina or with grief, this one feels so unique to me. But I think readers who love Lisa Graff and Clare Vanderpool’s novels will love ANOTHER KIND OF HURRICANE.

Thank you so much, Ann! I can’t wait for this book to be out in the world and in the hands of young readers.


You can get your own copy of ANOTHER KIND OF HURRICANE from your local independent bookstore (find one here), or order it from your favorite national or online retailer such as Random House, Powell’sB&Nor Amazon. Or leave a comment for your chance to win a signed copy of ANOTHER KIND OF HURRICANE, plus a lucky marble keepsake!

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Filed under Book Launch, Editor, Interviews

Writing in One Layer

In Photoshop, you can build a complex image using layers.  Layers are images that are stacked on top of each other like cellophane, with individual elements of the design or illustration existing on individual layers.

Background

Here’s a background layer.

BackgroundCircle

Here’s a yellow circle layer on top.

BackgroundCircleRed

I am awesome at this.

Images are stacked in this way so that they can be easily separated into manageable segments. This allows an artist to remove or make changes to various pieces of the work without having to recreate the entire thing.  That red squiggle needs to be orange?  Great.  Select the layer with the squiggle, change the color, and everything else can stay as is.  Easy peasy.

The more complex and layered an image, the more segmented it is. That’s great for small changes, but not for big sweeping ones. In order to make holistic changes to the work, the artist has to go in and edit each individual layer.

Hold up.  This is a writing blog, right?  Why am I talking about Photoshop?

A few weeks ago, at LeakyCon, I had the pleasure of being in the room for a Q&A with Kazu Kibuishi, the writer/artist behind the AMULET graphic novel series and the cover illustrator of the 15th-Anniversary editions of the American Harry Potter books.  He is a stellar talent.  While showing us several drafts of his cover illustration for CHAMBER OF SECRETS, he mentioned that he had drafted those images in one layer.

I was surprised.  The images Kazu showed us didn’t even look like drafts.  They were complex, beautiful, detailed paintings – and he had done them all in one layer, with no segmentation.  Why?  Wouldn’t that slow him down, if he needed to make changes?

In fact, he said it does the opposite.  He learned from watching artists Chris Appelhans and Khang Le that when drafting in Photoshop, it’s freeing to do all the initial work in one layer.  It allows him to paint with confidence, make decisions faster, and minimize production choices.  Because drafting isn’t about making production choices.  It’s not about self-censorship.  It’s about getting your ideas down authentically, in service of creating a compelling work of art.

Well, I thought about that.  I chewed on it for days.  Because it’s not just a strategy for working in Photoshop – it’s a philosophy.  Draft with confidence.  Minimize choices.  Don’t make production decisions too early.  Save layers for later, when you know more.  Just paint.

Or in my case, just write.

When I was newer to writing and not yet thinking about publication, I mostly wrote fan fiction – thousands of pages of it. I wrote it very, very fast.  Unless I got really stuck, I didn’t spend time pondering or fussing.  I just followed the bird in flight, chasing the idea as fast as I could and giving myself as much enjoyment as possible in the process.  I didn’t worry whether that page of witty banter was pure stuffing or whether the kiss I was writing drove the plot enough to be worth keeping.  It was fanfic, so I just wrote it to make myself happy, painting words with fast strokes, making the movie in my head come alive in the narrative.

Now I’m writing original fiction, under contract (hooray!), and I find myself slowing down. Thinking ahead. Manipulating the layers before I know what the whole picture looks like.  Editing earlier than necessary.  This wasn’t true with the first book of the series – I wrote that first draft without knowing what the full editorial process would entail, and without second guessing my choices.  With this second book, however, I hovered over myself a little bit as I drafted, questioning things that didn’t need to be questioned yet.

Immediately after Kazu’s Q&A, I sat down for a long chat with my editor, Cheryl Klein, about how to approach the revision of the second book in the series I’m writing.  One of her suggestions was that I should concentrate on the romance more.  I share this because anyone who knows me or my writing well will find it odd that I’d ever need to be given this note; I have a tendency to dive pretty deep into the romance.  I love, love, love to write the romance.  If anything, in the past, I’ve needed to pull back on the romance.  But because I’ve been drafting with too much of my brain focused on technical maneuvering and not enough of it focused on simply following the flow, I lost my romantic guts, a little, in this recent draft.  I pulled back before I’d reached the destination.

So I’ve decided to take Kazu’s Photoshop philosophy and apply it to my revision. One layer. No tinkering. Not yet. In the past week, I’ve blown through almost a hundred pages, including a couple of brand-new scenes that were incredibly fun to write and felt totally self indulgent. And maybe it’ll turn out that they are totally self indulgent and have to be removed.  I don’t care.  The romance is flowing.  The questions are vanishing.  The inner editor is on forced hiatus.

I’m not saying that fast is best (speed is a personal thing for authors – we each have our own process, and pace is part of that).  Rather, if you ever find yourself getting in your own way and picking at your choices too early, try visualizing your draft as something that’s pouring out in one uncensored layer, and see if it sets you free.

 

HiRes_Morrison_6861_cropMegan Morrison is the author of GROUNDED: THE ADVENTURES OF RAPUNZEL, due out summer 2015 from Arthur A. Levine Books/Scholastic. GROUNDED is the first book in the Tyme Series, co-created with Ruth Virkus. You can follow Megan on her blog at makingtyme.blogspot.com or on Twitter at @megtyme. She is represented by Ammi-Joan Paquette.

 

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Filed under Advice, Advice - Helpful or Otherwise, craft~writing, Creativity, Editing and Revising, Editor, Illustrators, Satisfaction, Writing

No’s Job, Or How I Learned to Stop Worrying and Love Rejection

     “Dear Author,
Thank you for your recent submission to XYZ Publishing Company. I regret to inform you that …”

Does this letter look familiar to you? If you’ve ever tried to submit a manuscript for publication, chances are you’ve gotten a response similar to this at some time in your writing career. I remember the first one I ever got. I was in college, and my professor had suggested that I submit the dummy that I had done for his literature class to his publisher. Finally- FINALLY- I would be a published author! And at such a young age!

I sent it in. I waited. After a week, every time I went to the mailbox I was sure that this would be the day I would get my SASE back with a contract in the mail. I began to think about changing my major from teaching to writing.

After a few more days (okay, six months), my SASE came back! I pulled out my manuscript dummy and… a tiny postcard that began, “Dear Author…” I was crushed. I cried. I sent it out again in a massive simultaneous submission to every publisher that did picture books.
I got a massive simultaneous rejection.

But I kept writing. I kept learning. I joined SCBWI. I went to conferences, joined a critique group, and took classes. I kept submitting, but I submitted smarter. (Turns out that some publishers only publish certain kinds of books! Who knew?)

I got a LOT more rejection letters.

But. While each rejection letter still felt like, well, a rejection, I noticed that after a while they changed. I was getting some letters that began, “Dear Ms. Van Slyke.” There would be a reference to my actual manuscript, like they had read it. And sometimes the editor would tell me why it wasn’t a good fit for them.

I started to look for an agent. And- oh, goody!- NEW rejection letters came pouring in!
I eventually did get an agent. Unfortunately, it was, shall we say, not a happy match. The rejection letters stopped coming to me. But, as I later learned, that was most likely because no manuscripts were going out. I came to the decision that an unproductive agent was worse than no agent, so we parted ways.

Fortunately, I did get another agent, and manuscripts began going out again. As proof, I started getting rejection letters again. By this time, though, either because my writing had improved or (more likely) my agent was matching them more closely to the right editor, the rejections were very specific. And they started coming with offers to look at more of my writing, or even to look at a manuscript again after a few changes.

Now, after a few sales, I’m still getting rejection letters. LOTS of rejection letters. But I look at them differently now. Instead of focusing on the “No,” I look for themes. Does a manuscript get rejected because it’s weak or because the publisher already has a pirate book on their list? Do I see several of the same comments on the same manuscript? Perhaps it’s time to try another revision based on that feedback.

Most of all, though, rejection letters mean that I’m doing my job: writing. Submitting. Revising. Submitting again. Writing new manuscripts.

Because sometimes instead of a no, there will be a “Yes.”

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Filed under Advice, Agents, Anxiety, Editing and Revising, Editor, Education, Panic, Patience, Publishers and Editors, Rejection, rejection and success, Uncategorized

The Second Time Around the Second Time Around

Riffing off Tara Dairman’s piece, The Second Time Around, from a week ago in which she explored why the excitement factor of her second book paled in comparison to her first book, I’d like to explore the panic factor of the second book.

The first book I penned, BUNNIES!!!, was sold in a two-book deal to Katherine Tegan Books/HarperCollins a little over a year ago. It was, for all practical purposes, a finished manuscript needing very little editing. I had written it one day in December, 2012. It was inspired by a drawing I had done a couple months earlier and the story just came to me. Seriously. It was that easy. I hate when people talk about banging out a story in a day, an hour, twenty minutes. It is usually people new to the industry and with no clue of what it takes to write a picture book. It seems disingenuous and sounds both dismissive and braggartly at the same time.  I don’t know if it was a rare alignment of the stars, or if I had brushed up against some strange talisman in an antique store, or if it was just dumb luck, but if I spent more than two hours writing and rough-dummying the book I’d be surprised. My critique pals all agreed that with a couple minor tweaks, it was ready for submission. My amazing agent sold it in no time in the afore mentioned two-book deal. I spent most of the rest of last year doing the illustrations and probably prematurely resting on my big fat laurels.

The manuscript for book number two is due at the end of this month. And I’m in second book panic mode. It will feature the same characters from BUNNIES!!! I’ve been working on it pretty regularly since the first of the year with what I thought were some pretty good ideas. They have morphed from one storyline to another to another to another. And I still don’t have it nailed down. I’m close, I think, but not as close as my critique pals suggest after last night’s  meeting. Agh. They are right, of course, the story is almost there, but it is lacking the particular style and delivery of book one. So I am up at 4:15 this morning, unable to sleep and panicking once more about this book. The first one was so damn easy! Why is this one so damn hard? Why doesn’t it just come to me?  When I wrote my dear, sweet editor in a panic late one night last week, she told me to take a break from thinking about it, it needs to simmer. Go see a movie! Relax! She also suggested that maybe this second book does not have to be about the same characters, maybe it could be something else – take a break from them and come back to them later. She was making it so easy for me. And it worked. For a while. I started thinking about other manuscripts I had that I could tidy up and send to her, other new ideas that I haven’t fleshed out. After considering this for a while, I decided that I love the characters in my first book and need to give them one more shot before I temporarily shelve them. So, panicked or not, (panicked) I am back in the land of BUNNIES!!! I will put on my thinking ears and channel the panic into something brilliant. No, really, I have 25 days. Maybe when it is done and it is accepted, the rest of the process of book number two will be the calm that Tara alluded to.

thinkingEars

by kevan atteberry

http://kevanatteberry.com

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Filed under Anxiety, Colleagues, Creativity, Editing and Revising, Editor, Panic, Writing

Off To Grandma’s House

I remember when my husband and I took our son to the airport to fly to his grandma’s house. We had to leave him with those in charge of unaccompanied minors-those who would help him get to his grandparents without a hitch. I felt a bit sad that he was ready for this adventure. He was my little boy and he was growing up. I felt nervous that he was going on his own without me to see to his needs and interpret his moods…because Momma knows best. Momma notices every little nuance and expression. She doesn’t have to guess at their meaning. I also felt excitement that he was “ready” for this adventure. I knew this was part of his maturation and the process of preparing him for the world. I knew that his grandparents loved him. I knew how much they were looking forward to this. I knew the importance of his relationship with them and I knew the importance of their influence in his life. I knew that grandparents add a layer to a his life experiences that is important.

As writers we give our stories life. We are the mommas and daddys of our stories. We know every little nuance. But we have to leave them to those in charge-those who help our stories on their journey. We have to leave them with agents and editors and illustrators. It is very emotional. We are excited about this because how else would our stories get out into the world. But we are also nervous. We are hoping that those in charge of our stories will pay close attention to every word. Every mood. Will they notice that expression on page six? What about the humor I see so clearly on page two?

Right now, my debut picture book, There Was An Old Dragon, is at Grandma’s house. It is with Ben Mantle, the illustrator. He will add that extra layer to the story. But before the manuscript arrived, it had to be left with those in charge. First it had to be with Tricia Lawrence, my agent. She got it! She so got it! When she called about my story she mentioned my favorite things. She loves this story and I knew it was in good hands. Then the manuscript spent time with my editor, Maria Modugno. Her excitement was inspiring. She suggested some edits that would make the visit at Grandma’s house more beneficial. She loves my story, too. It’s in good hands. So how am I feeling about the visit with Ben Mantle (Who may not appreciate being called a grandma because . . . well, he’s a man . . . and he’s way younger that me!) I’m feeling especially good! Not because I have a Mommy-cam. I haven’t even seen sketches. But my editor, Maria Modugno, and I talked last week. We talked about changing a few words in manuscript. A few words  . . . but Oh So Important Words. We had this conversation because she had been talking with Ben Mantle about the same few words. He called her to discuss the few . . . but Oh So Important Words. He is paying attention to each expression and mood. Every little nuance! Do you know how good that makes me feel? How confident? He sees the importance of these few words so clearly that he wanted to discuss them. So I know he is adding a layer to the life of my manuscript that I couldn’t add. I know he is taking it very seriously.

I have a feeling I’m going to be very pleased to see my manuscript’s growth and change once it gets back from Grandma’s house. Ben’s influence on the story will make this our story! His and mine. A picture book that is prepared for the world.

_________________________________
penny3Penny Parker Klostermann’s debut picture book, There Was An Old Dragon, is coming from Random House Children’s Publishing Fall 2015. You can follow her on Twitter @pklostermann and visit her blog HERE. Penny is represented by Tricia Lawrence.

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Filed under craft~writing, Editor, Publishers and Editors, Writing